Monday, January 25, 2010

October 19, 2009

October 19, 2009:

Astoria Symphony 2009-10 Season Launch

The Astoria Music Society launched it's 2009-10 concert season and christened the Tony Bennett Concert Hall at the brand new Frank Sinatra School of the Arts on October 17, 2009. We performed works by Felix Mendelssohn, Alfred Schnittke, and Ludwig can Beethoven, and I invited the Frank Sinatra School of the Arts Orchestra to join the Astoria Symphony onstage for two excerpts of music by Josef Haydn and Aram Khachaturian.

Me conducting the combined Astoria Symphony
and Frank Sinatra School of the Arts Orchestra in rehearsal

The amazing Miranda Cuckson, violins & violas,
and a big bass section!

It was a remarkable experience, to say the least. The young musicians from the Frank Sinatra School played with heart and integrity, and I pushed them in every direction - tempo, dynamics, and phrasing. I look forward to building a relationship with the school and with the musicians of the orchestra. Many thanks to Ken Lieberson, director of the FSSA orchestra, who also conducted the combined orchestras that night. Also thanks to Miranda Cuckson, Brent Chancellor, Grant Gilman, my wife Taylor, the AMS board of directors, and everyone else who was part of this show.

September 15, 2009

September 15, 2009:

Round Rock Symphony 2009-10 Season Launch

I just returned from Texas where I conducted the Round Rock Symphony's 2009-10 season launch - a program cleverly titled "Music of the Silver Screen." The concert featured popular classical music used in movies, and contemporary film music, too. The highlight of the evening, though, was when students from RRISD middle school orchestra programs joined the Round Rock Symphony on stage. The combined orchestras numbered over 100 musicians, and as young players sat side-by-side with pros, the sound was sweet...

Me conducting the Round Rock Symphony and middle school students
from the Round Rock Independent School District in rehearsal


My many faces

I even played guitar in Bizet's Carmen Suite

I have to acknowledge so many people, but I'll start with the Round Rock Symphony and board of directors, Beverly Mintz (our executive director), the wonderful orchestra teachers of RRISD, BettyJo Byrne at the RRISD PAC, and Jim van Zandt, who is a boon to the arts in Round Rock. Additionally, I want to thank my family for their support. My dad, sister, and all the parents-in-law were there. Thank you all for coming!

August 30, 2009

August 30, 2009:

My First Triathlon

On August 23, 2009, I ran my first triathlon, the NYRR Sprint Tri in Flushing Meadows Corona Park. Granted, it was no Iron Man, but it was tough nonetheless. 300 meters swimming, 10 miles on bike, and 5K (3.1 miles) running. I met my goal and completed it in less than 1 hour and 15 minutes, and I placed 92 out of 500, or 11th place in the 35-40 years old category. So I've been going around saying I placed 11th in the triathlon, which is sort of true!

The experience was amazing. I never had such a rush of endorphins in my life, and I swear for the last half mile I was just saying to myself "Oh, you can't stop me...I can do anything...get out of my way!...if I can do this, what can't I do?...I'm amazing!" If you have it in you to train for a few months, I highly recommend competing in a sprint triathlon. Next summer (2010) I'm going to try an Olympic triathlon (about twice as long) and maybe in 2011 I'll do a half-Iron Man. Who knows...maybe there's an Iron Man in my future.


An early start, and getting my number...


Stretching and swimming...


Biking and running...


The big finish and the high afterward.

Thanks to Taylor for supporting me, putting up with me all through training, waking up very early on this particular Saturday, and taking great photos.

March 24, 2009

March 24, 2009:

Spring Song Dance

The March 21, 2009, performance of the Astoria Symphony with three dance companies (Martha Graham Ensemble, Long Island City Ballet, and Octavia Cup Dance Theatre) was a big success. For me, it was also a tremendous pleasure and honor. I conducted Aaron Copland's masterpiece Appalachian Spring with the Martha Graham ensemble and the original Isamu Noguchi set! And that was only the beginning! I also had the opportunity to conduct Stravinsky's Dumbarton Oaks Concerto, and the show ended with a performance of my first ballet - Chun Zhi Ge. I wrote the music in 1999 when I met (and was inspired by) Chinese-American painter Shanye Huang...and it took ten years to bring it to life. My friend and fellow Texan Eric Ragan (of Long Island City Ballet fame) really embraced the piece, recruited choreographer Ned Kinter, and produced a wonderful dance work for my music.


The dance - Shanye Huang's painting
Tapestry of Dreams is the backdrop. Me with Shanye Huang.


Long Island City Ballet, me, and Shanye take bows

It was a great experience for me, and the dance and dancers were wonderful. I hope I get to see it onstage again! Special thanks to Shanye, Eric, Ned, all the dancers, and Steven Hitt (at LPAC) for bringing us together with the Martha Graham people.

March 23, 2009

March 23, 2009:

New Opera Project (Page to Stage)

"OPERA GROWS IN BROOKLYN" PACKS THE HOUSE!

Galapagos Art Space hosts sold-out night of opera scenes
including latest from AOP's Love/Hate by Jack Perla


Love/Hate at Galapagos

Jack Perla's dizzying array of styles from foxtrot to minimalism to atonality to 80's cheese-pop, brought the urban experience of relationships to life in Love/Hate at "Opera Grows in Brooklyn," featuring singers from The Manhattan School of Music.

AOP joined Opera on Tap and the Remarkable Theater Brigade on March 20 for a shoulder-to-shoulder evening of mixed drinks and musical dramas at Galapagos Art Space, Brooklyn's powerhouse stage for the alternative arts, proving once again that audiences know great opera is not just found in great opera houses.

The might of new opera featured AOP's presentation of scenes from Jack Perla's Love/Hate performed by singers from the Manhattan School of Music under the music direction of Silas Huff with stage direction by Caren France.

Sunday, November 30, 2008

How to Make an Orchestra (part 2)

If you are dying to make an orchestra and were trying to follow my blog, you were probably frustrated because I fell off the face of the earth for a while. Well, your patience has paid off. Today's lesson is a big one.

Lesson 2: Don't start an orchestra (or any other non-profit corporation) 6 months before the worst recession in 70 years. It seems like a no-brianer, but I really didn't see it coming.

An orchestra, as I pointed out before, is a business, a non-profit organization, also known as a charity (legally known as an IRS 501c3 organization), just like a museum, church, or private university. All charities operate on the good graces of generous people. An orchestra is an expensive venture that really doesn't create a lot of money. Because of the sheer size of the ensemble (up to 100 musicians!), productions costs are high, and "earned income" (ticket sales) do not cover 1/4 of the expenses. Private philanthropy is necessary. Even large museums that charge $20 for entry and have thousands of visitors, and private universities that charge $30K a year in tuition and have thousands of students, rely on donations and private philanthropy top stay afloat, fund new programs, build and expand their facilities, and compensate their employees appropriately.

So when an economic crisis hits, those of us who work for non-profits get nervous, even scared. In the last 3 months, dozens of orchestras and opera companies all over America have canceled concerts, laid off employees, and cut programs; many have gone out of business altogether. Even the mighty Metropolitan Opera in NYC (annual operating budget approx. $200 million) is tightening its belt and canceling its most expensive productions this season.

For me, the effects of the recent disastrous downturn in the economy were immediate and terrible. In October, the Astoria Music Society (NYC), of which I am the music director, got it's public funding cut. individual donations were down 65% from the same time last year. Ticket sales suffered. Audiences shrunk. Our income was slashed dramatically. Our future concerts were put in jeopardy. The board of directors held an emergency meeting to decide what to do. We decided to do something a little silly: we'd explain to the public at large that we're running out of money, then we'd ask everyone we know to make a small donation - $10 or $20.

Also in October, the newly formed Round Rock Symphony (TX), of which I am the music director, was trying to launch it's inaugural season. As the first concert date approached, the staff and board of directors realized we were not going to have enough money in hand to hold the event. What would we do? We decided to perform the concert, not knowing if it would be a financial catastrophe or not.

Here's what happened:

In NYC, music-lovers responded loudly. Many people I never imagined donating money made small gifts. Dozens of people donated $50 or $75 or $100. A handful donated $200, $500, or more. Many of the orchestra members themselves made donations. They saved our Holiday concert!

In Round Rock, a large, enthusiastic, and generous crowd of music-lovers showed up for the Round Rock Symphony's Inaugural Concert. Ticket sales alone nearly covered the expenses for the concert, but after the concert, as they left the venue, many audience members stuffed cash or checks into a donation jar at the box office. These people demonstrated that they loved music so much that they wanted this orchestra to succeed, despite the current economic times.

The lesson to take away from these anecdotes is this: music-lovers are more generous than we think. An honest appeal to good people will often yield unexpected good results. And don't start an orchestra in the middle of a recession.

To make a small donation to the Astoria Music Society, click here.

To make a small donation to the Round Rock Symphony, click here.

Sunday, October 5, 2008

How to Make an Orchestra (part 1.b.)

A little update: I just got off the phone with the new concertmaster of the Round Rock Symphony. It was an exciting conversation with a wonderfully talented violinist, and I am so happy this person accepted the position. Now to contact the others....